Substructures (Copy) — Eleanor Amor

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Circling the Plane Limits and Leavings We Are No Myth Unless I Choose To Speak Substructures A Small Insufferable Thing Pull Ups

FELTexchange with Ken Bolton

Exhibition Review: Clarice Beckett, The Present Moment - Artlink Exhibition Review: Sean Bailey's Process and Entropy - Fine Print Exhibition Review: Ben Leslie's House of Vulture — fine print Transcriptions 2: Reflections on Clarice Beckett - Fine Print

Exhibition review - Lovers and Leavers Helpmann Travel Award EESAB residency George Street Residency Helpmann Academy Graduate Exhibition Project Curator

SCULPTURE Circling the Plane Limits and Leavings We Are No Myth Unless I Choose To Speak Substructures A Small Insufferable Thing Pull Ups CV COLLABORATIONS FELTexchange with Ken Bolton WRITING Exhibition Review: Clarice Beckett, The Present Moment - Artlink Exhibition Review: Sean Bailey's Process and Entropy - Fine Print Exhibition Review: Ben Leslie's House of Vulture — fine print Transcriptions 2: Reflections on Clarice Beckett - Fine Print PRESS Exhibition review - Lovers and Leavers Helpmann Travel Award EESAB residency George Street Residency Helpmann Academy Graduate Exhibition Project Curator HOME

Orpheus, Eurydice and the Lyre, 2018 (Copy)

Orpheus, Eurydice and the Lyre (detail) (Copy)

Substructures (Copy)

A Gentle Creature, (Copy)

Eleanor Amor_Substructures_works_36.jpg

What We Do is Secret (a gift for James) (Copy)

Buster (detail) (Copy)

Space Between (Copy)

Absence / Absence (Copy)

Absence / Absence (detail) (Copy)

catalogue essay by Ken Bolton (Copy)

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